Other movies in the genre fundamentally question the classification of intelligence and life, and examples abound. Tron (1982) tells the story of a software engineer (Kevin Flynn) who is transported into a corporate computer mainframe (ENCOM) where he discovers anthropomorphasied programs, some of whom have their own volition and desire to determine their future. Wargames (1982) combines the cultural fears of nuclear war with the dread of an artificial intelligence assuming control over defense systems—the dreaded WOPR (War Operation Plan Response). And who can forget Arnold Schwarzenegger’s original Terminator (1984) that unfolds the story of Skynet (the malicious AI that becomes self aware), the machine that attempts to eradicate the menace of humanity?