If you enter the spiritual world through the third, you will have the feeling of an even greater weakness. If you enter the spiritual world this way, you will feel that you were really very weak in the physical-material world, where its spiritual content is concerned. But with regard to the third — and remember that you have become sound; you yourself have become a third — you will feel that there are friends over there who, although they themselves are not thirds, approach you according to the kind of disposition you had in the physical-material world. If you enter through the second, it is like a gentle sounding of many tones, with whom you share life in general when you enter through them, whilst tones that are, as it were, friends with one another, come to meet you through the third. People who want to become composers will have to enter especially through the third, for that is where the tone sequences, the tone compositions are, that will stimulate their artistic creativity. You will not always be met by the same tone friends, for which ones you meet will depend on your mood and your feeling and your temperament — in fact how you are disposed to life at the time when you go through the third into spiritual life. This results in an infinite variety of possibilities.