While Dah has been established by women and majority of the troupe members are women4, it does not define itself as a feminist troupe. It also does not define itself as documentary theatre, although two recent performances that engage with the question of our responsibility to the past— Crossing the Line and The Story of Tea—draw extensively on historical facts and documentary material. In Crossing the Line, documentary material is used, for the first time, throughout the entire performance, while The Story of Tea incorporates documentary material about the real-life war crime committed in Štrpci.