(cf. attachment)Betelnut leaf : Thick material, rigid when dry, and difficult to model and to work when it’s wet. The patterns are very interesting, we can see the streaks of the fibers on the face of the sheet, and we even have the impression sometimes that the black parts were caused by a burn, or a laser engraving, which gives it an appearance very hard, raw, almost prehistoric.The material being thick, we tried to scalp and cut it to separate the different layers, exposing them into light in order to reveal its plastic qualities.Mulberry paper : It was very impressive to see the many ways to transform the bark of mulberry tree, and what we got from it. Working it by hand was great, and get results by ourselves, by the strength of our arm, made us so proud. Craftship engages the body into the production. It is interesting to work the bark of the mulberry tree with the scraper to obtain a specific pattern when stretching the fibers with the hammer, especially by working on gradations between the brown, green and white color of the bark. We liked working this material in addition to the dyeing, because the colors can sometimes help to reveal the qualities of the paper (indigo dye is very beautiful on mulberry paper). Finally, the positive point of this material is multiple possibilities of different patterns and applications (molding, drawing, dyeing, different thicknesses, etc.).