In the world of measured quotes, Vi

In the world of measured quotes, Vidya Balan is refreshingly different. She offers to be interviewed even as the make-up man struggles to touch up her looks. She is eager to talk about failure. After five consecutive flops, she returns with Kahaani 2 this week.

“I didn’t take a back seat,” she clarifies, as I try to form a cogent question. “My choices have always been responses to my state of mind; therefore I did the films that I did. I am very impatient. Unfortunately, they didn’t work. It is extremely disheartening and disappointing when a film doesn’t work. I put so much of myself into the film. Gussa aata hai . I feel like shouting and crying. I like to blame people, I like to blame myself. I analyse what I could have done differently. One has to go through those questions, and finally let go of that failure and move on. Because you will never be able to figure out why a film didn’t work.”

Really? “

Still, she feels there are no clear answers why Hamari Adhuri Kahaani didn’t work. The audience and critics didn’t want to see her playing a meek woman praying for the life of her husband/lover.

“It was heartbreaking for sure. I had questions about Vasudha before I took up the film but realised that I cannot restrict myself to playing only empowered women. If I play a weak character and she gathers courage by the end of the film; that is satisfying for me. By the end, she opts to let go of her selfish husband, and it was okay with me. She chose to move away and live on her own but she was not a rebellious woman. Such women exist around us.”

Coming to the Kahaani franchise, apart from shooting in Kolkata and Kalimpong, what has hooked Vidya is the complexity of the two characters: Vidya Bagchi and Durga Rani Singh. “The fact that there are two faces of me in the film made it very interesting. This woman is accused of kidnapping. Is she a mother or murderer or both? This is what defines the story.”

This is her third film in the thriller/spy space. Does it say something about the stories she likes to read? “I always enjoyed Ken Follett and John Grisham. I can’t digest serious fiction. I also like Danielle Steel. It is the same old romance and betrayal but I like her style.” One of the problems of playing the hero is that your expressions are minutely noticed. And perhaps heroines are not getting the leeway to repeat themselves the way heroes do.

“There is only one of me and how different can I look? You now know how Vidya Balan smiles and I can’t change my smile. I can’t say that, in this film, I will smile like Madhubala.”But what about the time she experimented with her looks? . The Dirty Picture was called an experiment but many felt that Vidya was going overboard in Ghanchakkar . “It is all about what succeeds but, as an actor, I am happy that I challenged vanity.

Coming back to the smile, what makes smile different is the context in which you see it. Here an actor and writer can work together. In Paa it may mean one thing, here the same smile may mean something else. One has to contextualise emotions.”

Vidya continues to veer towards strong characters. Her forthcoming films are Begum Jan and a biopic on Kamala Das . “ Image has never mattered to me. These are interesting stories and are interesting women who overcame odds. That’s what a hero does. Kamala Das led her life on her own terms and spoke fearlessly about female desires, fears and insecurities.”

結果 (繁體中文) 1:

在世界中實測的報價，維迪亞平衡令人耳目一新。她提供採訪，即使是化妝男人鬥爭去觸摸了她的容貌。她是想談談失敗。後五個連續的失敗，她與 Kahaani 2 返回這個星期。"我沒帶後座，"她澄清，儘量形成一個令人信服的問題。"我的選擇，一直對我的精神; 狀態回應因此我做的電影？我很不耐煩。不幸的是，他們沒有工作。當一部電影不工作的時候是非常令人沮喪和失望。這麼多的自己成這部電影了Gussa 因阿塔海。我感覺像哭喊。我喜歡責備別人，我喜歡責備自己。我分析我可以做什麼不同。一個人必須通過這些問題，和最後放手的那失敗然後繼續前進。因為你將永遠無法弄清為什麼一部電影沒工作。"真的嗎？“但，她感覺有沒有清楚地回答為什麼我們 Adhuri Kahaani 不工作的原因。觀眾和評論家不想看到她在玩一個柔和的女人，為情人丈夫的生命祈禱。"那肯定是令人心碎。我有關于 Vasudha 的問題之前拿起這部電影，但意識到我不能把自己限制到玩只賦予的婦女。如果一個弱的角色和她的電影; 年底收集的勇氣這就是我滿意的。年底，她選擇去讓她自私的丈夫，和跟我沒關係。她選擇了離開並生活在她自己，但她並不是叛逆的女人。這樣的女人存在在我們周圍。來到 Kahaani 的專營權，除了在加爾各答和噶倫堡，拍攝什麼釣到了維迪亞是複雜的兩個字︰ 維迪亞格奇和杜爾加 Rani 辛格。"有我在電影中的兩副面孔的事實作出非常有趣。這個女人被控綁架。她是一位母親和/或兇手嗎？這就是故事的定義是什麼。這是她第三次電影驚悚/間諜空間中。它能告訴我們一些關於她喜歡讀的故事嗎？"我總是喜歡肯 · 福利特和約翰 · 格裡森姆。我不能消化嚴肅小說。我也喜歡丹尼爾 · 斯蒂爾。它是相同的老浪漫和背叛但我喜歡她的風格"。玩英雄的問題之一就是你的表情微小的注意。女主角也許沒有得到的餘地重複自己的方式英雄做。"只有一個我，我能看如何不同？你現在知道如何維迪亞平衡微笑，我不能改變我的微笑。我不能說，在這部影片中，我會微笑像 Madhubala 一樣。但那一次她實驗她呢看起來嗎？。髒的圖片被稱為實驗，但許多人認為維迪亞落水會在 Ghanchakkar。"它是所有關于什麼成功，但作為一個演員，我很高興我挑戰虛榮。回到微笑，什麼使你微笑的不同是，你看到它的上下文。這裡的演員和作家可以一起工作。在臨它可能意味著一件事，在這裡同樣的微笑可能意味著別的東西。人有脈絡的情緒"。維迪亞繼續轉向朝強字元。她即將舉行的電影是 Begum Jan 和卡瑪拉達斯傳記。"圖像有從來沒有對我最重要。這些都是有趣的故事，有趣的婦女克服了賠率。這是一個英雄做什麼。卡瑪拉達斯率領她的生活在她自己的條款和無畏地談到了女性的欲望，恐懼和不安全感。

結果 (繁體中文) 3:

在量測引用世界，巴蘭是完全不同的。她提供了接受採訪，即使化妝師鬥爭，以觸摸她的容貌。她渴望談論失敗。經過五次失敗，她返回本周kahaani 2。“我沒有讓步，”她澄清，我試圖形成一個切實的問題。“我的選擇一直都是我的心態的反應，所以我做的電影，我做了。我很不耐煩。不幸的是，他們沒有工作。這是非常令人沮喪和失望的時候，電影不工作。我把這麼多的自己放在電影中。Gussa aata hai。我想喊叫和哭泣。我喜歡責怪別人，我喜歡責怪自己。我分析我所能做的不同。一個人必須經歷這些問題，最後放弃失敗，繼續前進。因為你永遠也無法弄清楚為什麼一部電影沒有工作。”真的？“不過，她覺得沒有清晰的答案，為什麼Hamari Adhuri Kahaani沒有工作。觀眾和評論家們不想看到她扮演一個溫順的女人祈禱丈夫/情人的生活。“當然這是令人心碎的。我在我拿起電影但意識到我不能限制自己玩只有授權的婦女問題，該。如果我扮演一個軟弱的角色，她在電影的結尾時鼓起勇氣，這對我來說是令人滿意的。到最後，她選擇放手，她自私的丈夫，這是我。她選擇離開和生活在她自己的，但她不是一個叛逆的女人。這樣的女人在我們身邊存在。”來kahaani特許經營，除了在加爾各答和噶倫堡拍攝的，有彎曲的維迪亞是這兩個人物的複雜性：維迪亞巴格奇和Durga Rani Singh。“這部電影裏有兩張我的臉，這是很有趣的。這個女人被指控綁架。她是一個母親或兇手或兩者兼而有之嗎？這是什麼定義的故事。”這是她的第三部電影在恐怖片/間諜空間。它是說一些關於她喜歡閱讀的故事嗎？“我一直很喜歡肯·福萊特和約翰·格裏森姆。我無法消化嚴肅的小說。我也喜歡丹妮爾鋼。這是同樣的老的浪漫和背叛，但我喜歡她的風格。”一個扮演英雄的問題是，你的表情是微小的注意。也許英雄沒有餘地來重複自己的英雄一樣。“我只有一個，我能看什麼不同？”你現在知道維迪亞巴蘭微笑，我無法改變我的微笑。我不能說，在這部電影中，我會微笑，像Madhubala。“不過時間她嘗試用她的容貌？。骯髒的圖片被稱為一個實驗，但許多人覺得維迪亞Ghanchakkar走極端。“這是一個成功的全部，但作為一個演員，我很高興我挑戰了虛榮。回到微笑，微笑是什麼不同的背景下，你看到它。在這裡，一個演員和作家可以一起工作。在Paa，它可能意味著一件事，在這裡同樣的微笑意味著什麼。有記錄的情緒。”維迪亞繼續轉向強勢人物。她即將舉行的電影公主簡和Kamala Das傳記。“影像對我來說從來沒有關係。這些都是有趣的故事，是有趣的婦女誰克服的賠率。這是一個英雄做的。Kamala Das帶領她的生活她自己無畏地說女性的欲望、恐懼和不安全感。”